DESCRIPTION: | The effect or resemblances, of The Ismaili statues of Tawakul are very much influenced by his living space and his reactions to social issues. Rural spaces, rural men and women, and social spaces and elements such as Rostam, Darvish, and the goat are seen in his works. He has left more than one hundred and fifty works that have been displayed in several exhibitions in galleries in Iran, Italy, Belgium, Germany, the UK, Tavakol Ismaili, known as Mash Ismail, is one of the most tasteful self-taught artists who has been working in the sculpture workshop of the Faculty of Fine Arts in Tehran since he was 25 years old. Although initially a student model for works of art, he was a mould maker and an executive force, this proximity to the art space and materials and tools connected him to the world of creativity and artistic imagination and made him stay in the sculpture workshop. He later created works using student Created works that are unique. He was a self-taught artist who tried to learn and know and thus was able to gain acceptance at the professional and popular level of the art community from the lowest to the most intellectual levels. He produced universities or brokers, which is a good indication of his newfound vision in the field of sculpture. He is one of many in his sculptures He used small items such as car brakes, iron scrap, etc. and was able to create beautiful sculptures from the heart of these pieces and incorporate the tenderness of taste and feeling into the heart of the pieces. Mash Ismail is an artist who creates work with individual perception and using general themes And has established relations with social, historical, mythical, indigenous and traditional issues of Iran that are rooted in the history of this border and region. He is best known for his goat sculptures, as his most creative work is set in this collection. These works are not just imitations of nature And they are made and polished with special taste and skill. Goats with long, curly hair and drooping corners give the viewer a harmonious form with clean welding. The horizontal and wavy motion of the welds on the vertical grooves of the iron wires has given a special dynamism and beauty. The tenderness of the artist’s feeling in this work has overcome the hardness of metal so much that it amazes the audience; Which fully expresses the inner state and manifestation of the artist’s feelings and insights and his skill in using tools in this regard; And this is what will make the present work last in the history of Iranian sculptures. |
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