AN EXTRAORDINARY LARGE ISLAMIC BRASS SLIVER INLAID ASTROLABE (JAZIRA Mayyafarikin Dated AH633/1235-36 AD 1855 7-9 1
PERIOD :
1241/2 (AH 638) Ayyubid dynasty
ORIGIN:
The Jazira (probably Mayyafarikin)
DIMENSIONS:
Large
DESCRIPTION:
Description:
Astrolabe, made of brass, inlaid with silver and copper, back engraved with inscriptions including the maker’s mark “Abd al-Karim al-Asturlabi” (‘The Astrolabist’), and the title of three possible royal patrons engraved on the back named as al-Malik, al-Mu’izz, and Shihab al-Din.
Astrolabe
Brass, inlaid with silver
Made by Abd al-Karim al-Misri
The Jazira (probably Mayyafarikin) dated AH633/1235-36 AD
Inscription note: Gives the name of the maker, Abd al-Karim al-Misri, who was originally from Egypt.
IMPORTANT NOTE ;
We have been instructed by our client who has thought highly of our collections not to publicise the addtional pictures due to the copyright and the potential to produce parallel forgery from an image provided.
The conservation of these extraordinarily rare museum composition items is an integral and privileged part of our clients’ requirements.
FOOTNOTES:
Astrolabe
Brass, inlaid with silver.
Made by Abd al-Karim al-Misri
The Jazira (probably Mayyafarikin) dated AH633/1235-36 AD
1855 7-9 1
The astrolabe is an object probably invented by the Greeks in the 2nd century BC. Knowledge of it was transmitted to the Muslims through the translation of Hellenistic and Byzantine texts into Arabic. The translation of scientific texts was done in Baghdad in the early Abbasid era, and the earliest astrolabes and astrolabe treatises date to the 9th century. The astrolabe provides a two-dimensional map of the heavens and it served in particular to find the direction of Mecca which Muslims face when they pray; and was used to determine the times of the times of prayer which were astrologically defined. This extremely important example has figural designs representing the constellations on the front and back. It gives the name of the artist who made it ,‘Abd al-Karim, who is known through other signed astrolabes.
The elite patronage, suggested by the names engraved on the back, along with its large size andextensive decoration, suggest that it was a presentation piece meant to be admired rather than used, emphasizing the significance of ilm al-nujum (‘the knowledge of the stars’) within the visual language of Islamic societies.
; This instrument is noted as an early example of a ‘royal’ astrolabe, similar to one signed by the same maker in the Oxford MHS. Both of these astrolabes are more elaborate than the three other astrolabes of an early date made in Damascus and signed by al-Sarraj al-Dimashqi, which are now in the NMM Greenwich (AST0548, cat. pp. 210-16), Salar Jung Museum, Hyderabad and Raza Library, Rampur; see K.van Cleempoel, Astrolabes at Greenwich, Oxford 2005, fig. 7.2, p. 78 and discussion, p. 216.; Gunther, R.T. (1932), ‘The Astrolabes of the World’, Oxford: Oxford University Press. Volume I, astrolabe no.104 (p236)
CONDITION REPORT:
Adequate condition, it is said to have been exchanged with the renowned notable art collectors.
PROVENANCE:
Private collections